Abstract

The narrative work of the renaissance has been composed of certain specificities in response to the nature of the critical phase that has emerged, and the investment opportunities available, it is technically decent, by tilting the balance of the intellectual aspect of aesthetics, therefore, he was excluded by the institution of criticism that he considers a rhetorical text, then we chose in our letter marked: "Romanism in the narrative code of the Renaissance - A study on speech interference "to go beyond the dominant idea that the modern Arab narrative starts from the novel" Zainab ", by virtue of its conformity with the terms of the genre as a novelist and it has rooted the theory of the Western writer, thus yielding to the texts of the second half of the nineteenth century which formed a foundation from which the Arab novel was later announced.
And then, we focused our research on the touch of some of the peculiarities of the novelist in these texts, through the introduction of fundamental problems, we wanted to answer in the folds of this study. One of these problems:
To what extent has the novelist reached the story of the Renaissance? In other words, how did these texts of the novel come closer to its aesthetic characteristics and its intellectual implications? To answer this problem, we have adopted the method of cultural criticism and we have also used certain theoretical mechanisms rooted by the pioneers of Western narrative theory, such as listening, dialogue and pluralism, as well as the mechanism of interpretation and reading in some parts of the study.
We divided our research into: Introduction and four chapters, in addition to the introduction and conclusion. The introduction was entitled "What is the novel". The first chapter was titled "The Narrative Book of Rebirth - Formations and Constraints" while the second chapter was devoted to combating the problem of "the presence of the other in the narrative work of rebirth" As for the third chapter, it was a research on "the novelist and the interaction of discourses in the narrative work of the Renaissance.
Finally, we end the study, where the results obtained include:
- The novel is not a set of texts that respect the conditions of the novel genre in terms of artistic construction, but a speech to represent visions and aspirations social and historical. Thus, the texts of the Renaissance, technically and aesthetically backward, but it was the threshold of the creation of the novel of the Arabs.
The novel "Zeinab" is only a link to these texts, as was the text of "the conversation of Jesus Ben Hicham" to Mouilhi, he was the closest to these novel texts in all its peculiarities.
- The works of the Renaissance were born again in the context of a hidden social and historical consciousness that was formed in the space of mutant bourgeois elite who began to review the past, to criticize it, to make the present responsible, to build a society with new foundations, a different vision and way of thinking.

Information

Item Type:	Thesis
Divisions:	» Laboratory of linguistic and literary studies » Faculty of Letters and Languages
ePrint ID:	1372
Date Deposited:	2018-06-28
Further Information:	Google Scholar
URI:	https://www.univ-soukahras.dz/en/publication/article/1372

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